Before New Age and Quantum Physics discoveries had become public news Castaneda's don Juan taught the essence of their revelations about energy in the Universe Castaneda's don Juan was pointing towards the universe being Sentient, Conscious and very Alive while Castaneda's college professors were trained to believe such postulations were complete, laughable nonsense Well, the world of science is changing and thanks to the discoveries of quantum physicists it seems the don Juan view of reality is the view that is prevailing while the old scientific view of a dead, clock-like, meaningless universe is proverbially drying up and slowly crumbling We are headed for an incredible paradigm shift from that of a dead, meaningless, clock-like universe to a vibrant, Sentient, Conscious & Alive Universe Vibrating with Awareness!! I believe I'm ready for that shift As for old, dried up, dead science? Well.... May it never be my problem!
The ungrateful sabotage themselves no matter what they may say they believe in
So they may think they are cool by taking everything for free if they can, but such people can always expect to live a poor life filled with lots...
of lack
You see, we live in a super-rich universe that is always supplying and we are continually being overflowed with what we ask for by the way we think and thus live
Because of the way people think they cannot 'see' that by being greedy and ungrateful they are given a WEALTH OF LACK by the Spirit of Intent
Many are wealthy...with poverty They have lots and lots of it because that is what they ask for by the way they think; which determines the way they live
'Anyone or any circumstance that can send you into a rage is teaching you that you have not mastered yourself yet. Those circumstances and people are the proverbial 'hurtles' on your path to greater and greater enlightenment.
Use the tools given to you to better yourself
You have no choice
Either use the tools to your advantage or spend the rest of your life continually being reminded that you have not mastered yourself'
You didn't have to be so nice
I would have liked you anyway
If you had just looked once or twice
And gone upon your quiet way
Today I said the time was right for me to follow you
I knew I'd find you in a day or two
And it's true
You came upon a quiet day
You simply seemed to take your place
I knew that it would be that way
The minute that I saw your face
And when we've had a few more days (when we've had a few more days)
I wonder if I'll get to say (wonder if I'll get to say)
You didn't have to be so nice (be so nice)
I would have liked you anyway (would have liked)
Today I said the time was right for me to follow you (today said that the time was right to follow you)
I knew I'd find you in a day or two (I knew that I would find you in a day or two)
And it's true
You didn't have to be so nice (didn't have to be so nice)
I would have liked you anyway (would have liked you anyway)
If you had just looked once or twice (once or twice)
And gone upon your quiet way (quiet way)
Your love, lifting me higher Than I've ever been lifted before So keep it it up Quench my desire And I'll be at your side, forever more
You know your love (your love keeps lifting me) Keep on lifting (love keeps lifting me) Higher (lifting me) Higher and higher (higher) I said your love (your love keeps lifting me) Keep on (love keeps lifting me) Lifting me (lifting me) Higher and higher (higher)
Now once I was down hearted Disappointment was my closest friend But then you came and it soon departed And you know he never Showed his face again
That's why You know your love (your love keeps lifting me) Keep on lifting (love keeps lifting me) Higher (lifting me) Higher and higher (higher) I said your love (your love keeps lifting me) Keep on (love keeps lifting me) Lifting me (lifting me) Higher and higher (higher)
[Instrumental Interlude]
I'm so glad, I've finally found you Yes, that one, in a million girl And now with my loving arms around you Honey, I can stand up and face the world
You know your love (your love keeps lifting me) Keep on lifting (love keeps lifting me) Higher (lifting me) Higher and higher (higher) I said your love (your love keeps lifting me) Keep on (love keeps lifting me) Lifting me (lifting me) Higher and higher (higher)
What the Bleep; Down the Rabbit Hole
is without a doubt one of the greatest
and most important movies I have ever come across
It will help the truly wise to become much wiser
I say this movie is one of the great 'Golden Opportunities'
flaunted before mankind by The Spirit of Intent
Those who throw away enough such 'Golden Opportunities'
eventually find themselves in a situation where
the Golden Opportunities of the Spirit stop coming
I've seen this experiment conducted before in the movie What the Bleep Do We Know. In that movie it was also demonstrated with animation
It takes a hell of a lot of faith to blindly believe this!
I would like to see this premise ACTUALLY demonstrated and the process filmed for everyone to see
Here is the closest thing I have found:
If a photon actually exists there should be no problem for science to tell us exactly how big a photon is and yet in all my research I've found a bunch of confusing double-talk as a response when you ask how big a single photon is
My final conclusion is in harmony with the final conclusion of the scientist. He doesn't have a clue why light is behaving this way. What the double-slit experiment is proving quite conclusively is that...
WHAT WE CALL REALITY IS A MIRACULOUS, UNFATHOMABLE MYSTERY!
At its core, reality makes no logical or reasonable sense
This is the reason why it is possible to manifest our desires from our envisionings into our personal reality because reality is a miraculous process and it would take a miracle to manifest something from our inner-visions into our three-dimensional world
Yes, manifesting our desired objectives using the Law of Attraction is indeed a miraculous process; just as all of life is a miraculous process
It is obvious that the existence of consciousness
IS MIRACULOUS
Just as the double-slit experiment proves that the existence of light
IS MIRACULOUS
I say, the double-slit experiment may very well be the most empirical example of paranormal phenomenon science has ever empirically discovered. It makes absolutely no sense for light to react as it does in the double-slit experiment. The thing that makes something paranormal is that...
IT MAKES NO LOGICAL SENSE FOR IT TO EXIST!!!
Thus consciousness is CURRENTLY paranormal
And light is currently paranormal
For light to react as it does when closely observed light would have to be consciously aware that it is being watched. If that is not paranormal then nothing is!!
There are many who are now considering the concept that the reality we experience is, in actuality, a type of lucid dream over which we have personal control through the thoughts we consistently entertain.
It is said that we should spend most of our time being possibility solution thinkers if we want to attract and manifest the best life has to offer
Envisioning the lives we intend to manifest many times during the day with passionate, lustful, relentless borderline obsessive, 'mouth-watering desire is indeed 'the way'!
It is said the key to manipulating one's personal reality is to PASSIONATELY want something. Wishy-washy, sort of, 'gosh that would be great' type of attitudes are the tools of those who fail in the process
Somehow, in some mysterious way, if you really, REALLY want something in your life and pursue it with borderline obsessive passion your personal reality will rearrange itself and attract that something to you
It is said we don't create what is not already there. At best we attract, with our thoughts, that which already exists in the universe and, if we properly prepare the reception of what it is we are determined to manifest, it will come to us and become part of our reality
If you don't believe this to be true the universe will agree with you and it will not be true for you
Everyone has the right to live lives of dull, drab limitations and the Sentient Universe has no intention
I sense that in order for a person to sound great in the infancy of recorded music That person had to be
ABSOLUTELY FANTASTIC!!!!
I sense that, at best, what we have of Enrico Caruso is a pale example of what he actually sounded like.
Still, there is something about Enrico Caruso that inspires me to sing and fix my voice and I'm not picky about where I get my inspiration!
I sense the thing about Caruso was that his voice was miraculously reliable! He could be depended upon to give outrageously excellent performances consistently and that is inspiring to me indeed!
Also, I sense, that Caruso single-handedly made opera 'cool' to the people of his generation. All indications are they really, really loved this guy!!! Just mentioning his name brought a smile even to the chronically depressed!
Enrico Caruso (Italian pronunciation: [enˈriːko kaˈruːzo];
February 25, 1873 – August 2, 1921) was an Italian tenor. He sang to
great acclaim at the major opera houses of Europe and North and South
America, appearing in a wide variety of roles from the Italian and
French repertoires that ranged from the lyric to the dramatic. Caruso
also made approximately 290 commercially released recordings from 1902
to 1920. All of these recordings, which span most of his stage career,
are available today on CDs and as digital downloads.
Caruso's 25-year career, stretching from 1895 to 1920, included 863 appearances at the New York Metropolitan Opera
before he died from a kidney infection at the age of 48. Thanks in part
to his tremendously popular phonograph records, Caruso was one of the
most famous personalities of his day and his fame has lasted into the
present time. Caruso is an early example of a global media celebrity,
made possible in the 20th Century by new media technology. Beyond
records, Caruso's name was made familiar to millions through newspapers,
books, magazines, silent film and communication made possible by the telephone and telegraph.[2]
Caruso toured widely both with the Metropolitan Opera touring company
and on his own, giving hundreds of performances throughout Europe, and
North and South America. He was a client of the noted promoter Edward Bernays, during the latter's tenure as a press agent in the United States. Beverly Sills
noted in an interview: "I was able to do it with television and radio
and media and all kinds of assists. The popularity that Caruso enjoyed
without any of this technological assistance is astonishing."[3]
Caruso biographers Pierre Key, Bruno Zirato and Stanley Jackson[4][5]
attribute Caruso's fame not only to his voice and musicianship but also
to a keen business sense and an enthusiastic embrace of commercial sound recording, then in its infancy. Many opera singers of Caruso's time rejected the phonograph (or gramophone) owing to the low fidelity of early discs. Others, including Adelina Patti, Francesco Tamagno and Nellie Melba,
exploited the new technology once they became aware of the financial
returns that Caruso was reaping from his initial recording sessions.[6]
Caruso made more than 260 extant recordings in America for the Victor Talking Machine Company (later RCA Victor) from 1904 to 1920, and he earned millions of dollars in royalties from the retail sales of the resulting 78-rpm discs. (Previously, in Italy in 1902–1903, he had cut five batches of records for the Gramophone & Typewriter Company, the Zonophone label and Pathé Records.) He was also heard live from the stage of the Metropolitan Opera House in 1910, when he participated in the first public radio broadcast to be transmitted in the United States.
Caruso appeared also in silent films. These include not only two commercial feature films, but newsreels too, as well as a short experimental film made by Thomas Edison. For Edison, in 1911, Caruso portrayed the role of Edgardo in a filmed scene from Donizetti's opera Lucia di Lammermoor. In 1918, he appeared in a dual role in the American silent filmMy Cousin for Paramount Pictures. This movie included a sequence of him on stage performing the aria "Vesti la giubba" from Leoncavallo's opera Pagliacci. The following year Caruso played a character called Cosimo in another movie, The Splendid Romance. Producer Jesse Lasky paid Caruso $100,000 to appear in these two efforts but they both flopped at the box office.
Caruso's voice extended up to high C in its prime and grew in power and weight as he grew older. He sang a broad spectrum of roles, ranging from lyric, to spinto, to dramatic parts, in the Italian and French repertoires. In the German repertoire, Caruso sang only two roles, Assad (in Karl Goldmark's The Queen of Sheba) and Richard Wagner's Lohengrin, both of which he performed in Italian in Buenos Aires in 1899 and 1901 respectively.[7]
Good evening ladies and gentlemen and welcome to the
Copacabana Catholic Riverdance Footbinder's club
Home of the 24 hour burrito
((( It's a Gas!! )))
I am your host: Migelito Lovesome
and I'm here to tell you that if I had been born black
by now I would most definitely need a jock strap,
but that goes without saying, right guys?
And now the long dead opera legend
ENRICO CARUSO
is going to sing
No More Mr Nice Guy
by Alice Cooper
"I USED TO BE SUCH A SWEET, SWEET THING...."
UPDATE:
The microphone came with
a 57 page instruction manual
Did you know that you should never use this microphone
while you're standing in a bucket of water?
Learn something new every day
"Shure first began manufacturing their own products in 1932 with the
introduction of the 33N two-button carbon microphone. The Model 40D,
Shure's first condenser microphone, was introduced the next year, and
the first of a line of crystal microphone, the Model 70, was introduced
in 1935. With the introduction of the 55 Unidyne Microphone in 1939, the
company's microphone offering included carbon, condenser, crystal, and
dynamic microphones.[2] Wired and wireless microphones together represent the largest category of Shure's overall business.[8]
Shure currently produces numerous series of microphones for various
applications, including the SM, Beta, KSM, and PG series, as well as
specialty consumer microphones, Microflex, and Easyflex (conferencing
systems for commercially-installed applications).
One of Shure's most visually iconic microphone series is the Unidyne
series, seen in use by heads of state and popular recording artists and
performers from the 1940s through the end of the twentieth century,
including President John F. Kennedy, Ella Fitzgerald, and Frank Sinatra. The Model 55 Unidyne is pictured with Harry S. Truman in the famous photograph where he is holding the Chicago Tribune newspaper with the erroneous front page headline "Dewey Defeats Truman." It is also pictured in front of Fidel Castro on the cover of the January 19, 1959 issue of Life Magazine and in front of Martin Luther King, Jr. during delivery of his famous I Have a Dream speech during the 1963 March on Washington. The original Shure 55 Unidyne microphone was designed by engineer Ben Bauer and first produced in 1939.[8]
The 55 Unidyne was designed to be a rugged public address microphone
with exceptional audio performance, and was notable for its
single-element, unidirectional design which was smaller, less
susceptible to feedback, and less sensitive to ambient noise than other
microphones on the market at that time."