I've developed my own personal style
of Indian Tabla Drum playing that I call:
of Indian Tabla Drum playing that I call:
WESTERN TABLAS
It combines traditional Tabla with Latin Conga style of playing
In Indian music the high Tabla is usually tuned to the note C or C#
I find that to be inadequate for Western playing which centers around the note:
A 440
So I tune my high Tabla to A and my lower Tabala Baya drum to E if not microphoned
or D if using a microphone. The lower the note the less volume you get from the drum
By using the A and E or D tuning it puts the Tabla drums in tune
with standard Western music. Plus it puts less strain on the head of the drum
If you have never replaced a Tabla drum head
TRUST ME, YOU DON'T WANT TO!!!!
It is hell to do and, if possible,
I NEVER, EVER WANT TO CHANGE A TABLA HEAD AGAIN
FOR THE REST OF MY LIFE!!!!!
Towards this end I do something not recommended
I periodically treat the heads with coconut oil
I do this to keep the heads moisturized
If this is not done the heads will dry out and crack
and you will have to change them
The high drum may not ring as crisp,
but that can be compensated for
by turning up the treble when using a microphone on the drum
I've read that Indian Tabla Drums
are considered deities by many
and I can understand why
THEY ARE ALIVE!!
I now remember that I call them "My Babies"
When I haven't played them for a while
they have to be 'woken up'
This can take a few days of pampering
Now that they are finally awake again
I remember why I don't like to play them
((( THE TALCUM POWDER!!!! )))
It's used on the big Baya drum and it's messy!!
I DON'T LIKE TO USE IT
and because I don't like to use the talcum powder
I end up not playing the drums
AND THAT'S NOT RIGHT!!!!
So, I'm modifying my style
I'm creating a new tabla style that requires
NO TALCUM POWDER!!!!
Except for, maybe, when recording
I should mention that another problem with Tablas
is that to play like the master Zakir Hussain
requires that you play each drum
as though you are using two-hands
This is for the fast, flashy stuff
Try to imagine what it would be like
for a Latin conga player to do rolls on the conga drum
with one-hand
NOT GOING TO HAPPEN!!!
The conga player does fast rolls
WITH TWO-HANDS!!!
and that's how I do them with my
WESTERN TABLA STYLE
Also, I base my melodies
on Western dance 4/4 rhythms
not Indian insane 16/4 and whatnot time signatures
It's really ridiculous and the Western mindset
does not think in such outrageous rhythms